VISUAL EFFECTS

Visual effects (commonly shortened to Visual F/X or VFX) are the various processes by which imagery is created and/or manipulated outside the context of a live action shoot. Visual effects often involve the integration of live-action footage and computer generated imagery (CGI) in order to create environments which look realistic, but would be dangerous, costly, or simply impossible to capture on film. They have become increasingly common in big-budget films, and have also recently become accessible to the amateur filmmaker with the introduction of affordable animation and compositing software.

Timing : - Visual effects are frequently integral to a movie's story and appeal. Although most visual effects work is completed during post-production, it usually must be carefully planned and choreographed in pre-production and production. A visual effects supervisor is usually involved with the production from an early stage to work closely with production and the film's director to achieve the desired effects.

Rear projection is an in-camera special effects technique in film production for combining foreground performances with pre-filmed backgrounds. It was widely used for many years in driving scenes, or to show other forms of "distant" background motion. The presence of a movie screen between the background image and foreground objects leads to a distinctive washed-out look that makes these "process shots" recognizable.

Technique : - The actors stand in front of a screen while a projector positioned behind the screen casts a reversed image of the background. This required a large space to film, as the projector had to be placed some distance from the back of the screen. Frequently the background image would appear faint and washed out compared to the foreground. The film that is projected can be still or moving, but is always called the plate. One might hear the command "Roll plate." to instruct stage crew to begin projecting.

These so-called process shots were widely used to film actors as if they were inside a moving vehicle, who were, in reality, in a vehicle mock-up on a soundstage. In these cases the motion of the backdrop film and foreground actors and props were often different due to the lack of steadicam-like imaging from the moving vehicles used to produce the plate. This was most noticeable as bumps and jarring motions of the background image that would not be duplicated by the actors.

A major advance over rear projection is front projection, which uses a special screen material to allow the plate to be projected from the front of the screen. This results in a much sharper and more saturated image. Although the technique had been used experimentally for some time, it was during the filming of 2001: A Space Odyssey that the modern version was fully developed. In this case it was used to avoid costly on-location shots in Africa during the opening scenes of the movie, but the effect was also used throughout the film for a variety of shots into or out of the windows of spacecraft. 2001 also used rear projection to produce computer screen effects.

As front projection and bluescreen effects became more widespread and less costly, rear projection has been rendered largely obsolete. Quentin Tarantino used the process for the taxi ride sequence of Pulp Fiction, and James Cameron used rear projection for several special effects shots within Aliens, including the crash of the Dropship. Also, the Austin Powers film series frequently used rear projection to help give it the feel of old spy movies.

A front projection effect is an in-camera visual effects process in film production for combining foreground performance with pre-filmed background footage